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Strange Fruit

August 4th, 2006

Strange Fruit on sticks Blurry but you get the idea, will try to make a film clip in stead tonight. It started with a rejection While I was really satisfied with my script for the upcoming Sunday film shoot, it got rejected.

Lightning was tutored by Julian Doyle, who has worked on a wide range of things, from Monty Python to Terry Gilliams Brazil, and also on Kate Bush music videos. He had a lot to say about lightning, showed a lot of examples through film clips and some films will never be the same after he [...]

Scriptwriting for dummies

July 30th, 2006

Not all courses are good. Actually, the scriptwriting course I attended yesterday was crap. Even though the tutor had a lot of experience writing scripts, he didn’t reallly now how to teach. And in stead of learning us what to do when writing a script, it ended in discussions about film. Cool, I like discussions [...]

Oh will I ever learn

July 24th, 2006

(Now with pathetic filmclips) I wonder.

It was very interesting. Again.

If Yak himself asks you if you want to make a short film with him, you would be pretty stupid to say no. So I said yes! And it is such fun, and I am learning so much about filmmaking. We will keep you up to date about this project, and you can ofcourse read [...]

A part of the storyboard It was a long, and not the least hot day but it was so cool. This is a kind of resume of my first day at the London Film Academy. I mostly wrote it because I want to keep track of what we have been doing, and how it has [...]

When I signed up for the course, in the beginning of February it seemed so far away. I hadn’t even moved to London there, and the future was somewhat uncertain. It was actually quite a silly thing to do, because lots of things might have happened, and I might never have settled in London. But [...]

Action !

February 2nd, 2006

(Michael Learns To Rock – The Actor) When people here ask me why on earth I want to move to London, I say (apart from the whole new and fresh start thing) : film, theatre, museums. And in the look in their eyes I can see that they don’t get it. Why is the cinema [...]

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