Film production: To Wales

I should be packing by now, but a short note here before I am off. All is prepared for my trip to Wales, well all that I could think of that should be prepared.

There are a couple of changes to the original plans:

The school children will not be there. The school has withdrawn from the project because they were in involved in too many other things so they did not have the time anyway. This makes my life as producer a whole lot easier. In stead of school children we will use some more actors. It is not completely the same, but with some creative camera work, I am sure it will be fine.

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Production planning – one step at the time

Red and White

I am very busy planning the 4 days film shoot in Wales in February. I have never really done serious production planning before, and this is a great opportunity for me to get experience. Planning this shoot is not very different from planning a four day film shoot for my own short film, should I ever want to do the production planning for that myself.

But what I got was a script and what I was told was: go do it. And I thought – oh shit – where do I start. The way to do it I learned is to take a small step at the time.

Read on if you are interested in the film making proces »

BBC Writersroom and the Twelfth Night and short films

(Re)Writing

BBC Writersroom

  • I did attend the open BBC Writersroom event. And realised that it is very intimidating to see the competition. Loads and loads of people where there, all writers, all wanting to make it. Not good for self confidence.
  • I had to leave a bit earlier, so I don’t know what I missed at the end of the session, but in the part I did attend the BBC people explained what they were looking for in a script. It wasn’t a lot of new information – they are looking for things every producer looks for – well written, originality, interesting and likable characters, etc. It’s basically the stuff every screen writing book tells you.
  • I did not hand in my script. Wait, wait, I will post it to them today. Seeing as I had to sneak out before it ended I had no chance to hand it to them. But no worries, they did promise all of us that they read the first 10 pages of every single script they receive. They receive, are you ready for it, 10.000 scripts a year.
  • They also explained that they are just checking the quality of the writing of the script you send them and are looking for writers more than scripts. Very very seldom do they buy a script and make it into a film. If people have extraordinary talent, they might be contacted and educated. And a lot of those lucky people get to write on Eastenders, Holby City, Doctors. I don’t want to sound snobbish or anything, but I am not sure I could write for those series, as they don’t interest me at all.
  • I don’t count on anything, if they should happen to read passed the first 10 pages, that would be great, and I would have a script review by an experienced reader for free (it might take up to four months to hear if they read it or not). If they don’t read it – then so be it. If I want to improve my writing, I must pick up my pen and get on with it. Simple.

There is more: Derek Jacobi and Short films »

SweetArts: It’s not fun all the time

Just in case you thought I am going through this whole make-a-film-process with 2 fingers in my nose having nothing to worry about – it is not like that. It’s tough, it’s difficult, it’s hard work and some days I want to give up. Today is one of those days.

Did I write that my script was ready to shoot yesterday? I take that back.

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SweetArts: Locations and Friday Fessing

Art school
In between everything, I have actually written 5 pages of brand new (feature length) script. There is no chance that I will finish this script anytime soon, but the beginning is there.

My mind is thinking about the story a lot, there are a couple of options and I am trying to figure out the best one. I think it will be more rom and less com this time, even though there will certainly be things to laugh about. I actually look forward to return to my writing in a cafe life style. Billy Mac(book) hasn’t been out for a while so he is eager to get back out there too.

Next week I hope to have a break through on the search for Producer/Production manager mission for SweetArts. I don’t dare to count on anything for certain because I have seen too many people come and quickly go again, but something tells me that this might be the real deal. Maybe I am just ignorant, or maybe with a little luck, it falls into place.

If that is the case, I need to get back to focusing on casting. I watched the audition tapes again, and there are certainly a couple of women I can see as June. But I am not too sure I have spotted Dan amongst the men yet.

And look at the above snap shots: it is very likely that this is going to be the location for the art school. The pictures are not very clear, but there are easels (they are leaning against the wall folded together on this photo), brushes, paint and all kind of other art school stuff around in this place. And seeing as it is in fact a place where they teach art, it seems perfect to me. It is also pretty spacious so enough room for a camera crew. So I think that location nut is cracked. That leaves a bookshop and a park to sort out still.

This weekend I have been invited over to wonderful Devon by my good friend. I look forward to some fresh air, the sea, excellent company and to meet her two lovely dogs.

Enjoy the weekend wherever you are.

SweetArts: Down is Up

I have long struggled taking this decision. I was jumping between the following two options:

No! No! No! Don’t be bloody ridiculous. Are you insane? Don’t do it. He will think you are stupid. It’s just not done. You can’t do things like that. Do-no-do-it. No! Don’t!! You will be doomed forever and he will never ever want to hear from you again.

and

OK. What have I got to lose? I don’t want to spend the rest of my life thinking: why did I not at least give it a try? What is the worst that can happen? That I don’t hear anything in return? Or that I get an angry letter from his agent telling me to bugger off, or saying “How dare you! Who do you think you are?”. Would that weigh up against the fact that I then don’t have to wonder about it the rest of my life?

Thoughts like these have played ping-pong in my head for a long time. I think the thing that eventually made me make my decision was the fact that all the people I have met the last couple of weeks, the very experienced producers (who are used to reading scripts) and the casting director: they all loved the script. It gave me confidence.

So last week I decided to risk it. I sat down, wrote a letter and posted it. Today I got the answer from his agent, and this is what it literally said – *he* would *love* to read the script. Shall I repeat that – *HE* WOULD *LOVE* TO READ THE SCRIPT! No I don’t quite believe it either.

Now *HE* is also a very busy man, so it surely won’t get any further than him reading the script. But bloody hell – *he* (the best actor in the world) is going to read my script!

(I won’t mention his name here, but people knowing me just a little, know who *he* is)

Oh and one more thing: there will 24 actors coming for audition tomorrow. 24!! I just checked a few of them and these are people that have been in things like Dr. Who and James Bond movies. I think I am going to pack my bag and run away now, this is becoming way too scary! Scaring the willies out of me this is!

SweetArts: Delayed, moved to October

Yes Viktor, I feel a bit like that too

There are a couple of reasons for this:

  • I can’t find a producer just yet. I don’t want to make this film without being properly prepared. And I simply need a producer who can help me with budgets, contracts, release forms, locations and things like that. I don’t want to make the film without someone like that because it will turn into a mess.
  • Also I have some holiday planned in September so the best thing really is to move the shoot to October. That way I can take some extra time to prepare. I am putting quite some money into this, and it would be a shame to rush it for no apparent reason.
  • Maybe moving it away from the summer holiday will improve my chances of finding a good producer too.
  • And as a last – I need to do what Ewan McGregor did, which is having some moles removed. It’s planned for the 20th of August, it’s a minor procedure and I try not to worry about it too much, but I would lie if I said that it is not spinning around in my head. I am not too worried about the procedure itself, even though I am not looking forward to it, but am slightly worried about the potential badness of them. Let’s see how it goes.

Back to the film.

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Random notes and thoughts on the film making process

I know that this is starting to look a bit like the diary of a film maker. Well it’s important for me to write up this process. One year from now I want to be able to read back what an insane time this has been and how things went. So the coming time the focus of this blog will be on the making of SweetArts.

The other thing is that I won’t have any time for anything else in my life for a while. Here are some random notes and thoughts again:

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SweetArts

Bob called me while I was drinking a juice in the Caffe Nero in Hammersmith. I walked out and tried to spot him. He told me to walk towards the tube station. I walked and looked. He was in his car he said. I scanned the area. Lots of cars around Hammersmith. I saw a man with sunglasses in an MG convertible with open roof. Funky car I thought. I scanned further while talking to Bob. I didn’t see him. I had a closer look at the MG. Really nice car. I looked at the man inside it. He was on the phone. A closer look revealed that his lip sync with the man I was talking to was near perfect. Wait a minute …

“Do you happen to sit in a funky MG?” I asked Bob.
“Yes!” he said with a friendly British voice.
“I am on my way to you now!” I said.

A split second I thought – am I actually going to step into a car with a man I don’t really know? Bob seemed reliable, and a car like this with an open roof, I could always climb out. I jumped in. We drove off, the wind trying to blow the worries out of my head.

And that’s when I met Bob.

Here is your regular short film production update. And really, I can’t quite believe all this is happening either.

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Right day, right time?

If there is one thing I learn it’s that nothing is as unpredictable as the process of making a short film. It might be back on track again now, and I am again aiming for a shoot at the end of August. If all goes well, I am going to take a week off there and shoot it five days in a row.

But seeing the nature of this project, tomorrow things might look completely different again.

For those not knowing anything about the film:

Dan (50’s) is an award winning romantic novelist, an expert on romance – in books.
Being a master with written words – Dan loves corresponding with June (50’s).
Until the day where June invites him over for tea.
Having a severe stutter, Dan has refused dating women for what seems like a life time.
Will he lose June or is a Jammie Dodger going to save the day?

More detailed short film talk for those interested »

WALL-E and a lot of fingers crossed!

WALL-E and Billy Mac

The very good

First a recommendation: WALL-E. Go see it. It’s a 10/10 film. It’s clever, funny, very actual, and it’s a roboromcom! Wall-E is such a cool character that I took the bus from the cinema to Hamley’s and brought him home with me. See how much a film can say without any dialogue. Great for both children and grown ups. Go see it! Go! Go! Go!

The maybe good

On the short film front – Sunday was a day of location hunting.

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Fess up Friday and 4 more

  • It’s popping up everywhere now, and it is intriguing. Feed your feed (or just a stack of words) into Wordle and see how beautiful words can be. (Unfortunately the page won’t let you save it as an image, but you can save it as PDF and blow it up and put it on a t-shirt. Or something. Actually I might go and do that. Or on moo cards.

    The words above are words from my feed, which means that these are recently written words on this weblog.

  • Let’s get the fessing out of the way then. I have not written anything this week. But I have worked hard and serious and determined on the pre production of my short film. More about that later, but I now know that it will take about 5 days to shoot. Which is a lot!
  • The weekend will again be a coastal one. At 5.30pm I will take the train from Waterloo to Weymouth where I will stay the weekend.

    Tomorrow I will be joined by a good friend and we will go and admire the long legged lanky grooviness of Bill. Portland Bill. We will also play frisbee!

    Extra bonus information: Weymouth is also the location where they have shot a lot of the exterior scenes for The Boat That Rocked.

  • I want an iPhone when it is able to send an MMS. I am actually someone who uses that quite a lot! How can they launch v2 of the iPhone and still not have this function (all other phones can do it!) implemented? I don’t get it.
  • May your weekend be sunny.

INT. ART SCHOOL CLASSROOM – NIGHT

Art class

When I walked to the toilet yesterday I passed a woman at the shared washing up sink. She was cleaning brushes. Not just a few of them, loads of them. A closer look revealed that she had a small cart filled with glasses with brushes, and palettes filled with paint. I walked on.

But then my brain started working and it said to me:
Scene 25
INT. ART SCHOOL CLASSROOM – NIGHT

Oh! Wait a minute!

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Back on Planet Earth

Me and my sneakers back on planet earth

This is just a short post to say that I am back on Earth. I think. Travelling in space messes up your mind. But here is a short list of things I have to say today (will write proper posts soon, I promise):

  • It’s day 42 today. Use it wisely. I know I will.
  • It is exactly 2 years ago I set foot in London for a week of preparation for the big move a week after. In that week:
    Cafe, Dick and Jane, Bill the Cat, Underworld Evolution in a London Cinema, and I learned how not to be a Londoner (this goes all much better now).
  • I finished my second 60 seconds action packed feature film yesterday. It has been extremely hard work and it is a miracle that we could still find things to laugh about while things were at their worst. I know you want to see it, but we can’t show it just yet – it has been entered into a competition (which will end in March) and we might send it in to some one minute film festivals too. The thing is that publishing it on the web might spoil our chances of getting into some festivals, so please be patient.
  • We will soon publish the poster and some stills and a teaser trailer and write about how we have made this film on a zero budget. Stay tuned.
  • Today is the first day where I don’t have to think about finishing the film. I am having the day off to catch up on my writing. I am in big trouble, I haven’t had any time to work on my feature script and it needs to be handed in latest Wednesday evening. The work I need to do on it can’t possibly be done in that short a time. So I am still very stressed and very busy to give it my best shot. The thing is that being locked up in an editing studio for a long period, I just want to get out and enjoy the lovely London weather. In stead I have to be disciplined and lock my self up in my room to write.

    I have decided something, as my red laptop is lovely, it is simply too big and heavy to drag around to cafes. I want to be able to write in cafes and have my eye on a Apple Macbook. Not the least because Windows Vista is pissing me off beyond reason, and also because it’s such a beautiful designed machine, and I am sure we will be happily ever after. And Final Draft will run on it nicely.

  • Films: Juno is fantastic, go see it. Definitely Maybe is OK, but don’t let the “From the makers of Love, Actually and Bridget Jones” fool you, it is far from that good.

SO expect some irregular and messy posts until somewhere after the weekend.

After next weekend my life should be back to normal. Well not too normal I hope, that would be too boring.

I hope you are all well out there.