SweetArts: Locations and Friday Fessing

Art school
In between everything, I have actually written 5 pages of brand new (feature length) script. There is no chance that I will finish this script anytime soon, but the beginning is there.

My mind is thinking about the story a lot, there are a couple of options and I am trying to figure out the best one. I think it will be more rom and less com this time, even though there will certainly be things to laugh about. I actually look forward to return to my writing in a cafe life style. Billy Mac(book) hasn’t been out for a while so he is eager to get back out there too.

Next week I hope to have a break through on the search for Producer/Production manager mission for SweetArts. I don’t dare to count on anything for certain because I have seen too many people come and quickly go again, but something tells me that this might be the real deal. Maybe I am just ignorant, or maybe with a little luck, it falls into place.

If that is the case, I need to get back to focusing on casting. I watched the audition tapes again, and there are certainly a couple of women I can see as June. But I am not too sure I have spotted Dan amongst the men yet.

And look at the above snap shots: it is very likely that this is going to be the location for the art school. The pictures are not very clear, but there are easels (they are leaning against the wall folded together on this photo), brushes, paint and all kind of other art school stuff around in this place. And seeing as it is in fact a place where they teach art, it seems perfect to me. It is also pretty spacious so enough room for a camera crew. So I think that location nut is cracked. That leaves a bookshop and a park to sort out still.

This weekend I have been invited over to wonderful Devon by my good friend. I look forward to some fresh air, the sea, excellent company and to meet her two lovely dogs.

Enjoy the weekend wherever you are.

SweetArts

Bob called me while I was drinking a juice in the Caffe Nero in Hammersmith. I walked out and tried to spot him. He told me to walk towards the tube station. I walked and looked. He was in his car he said. I scanned the area. Lots of cars around Hammersmith. I saw a man with sunglasses in an MG convertible with open roof. Funky car I thought. I scanned further while talking to Bob. I didn’t see him. I had a closer look at the MG. Really nice car. I looked at the man inside it. He was on the phone. A closer look revealed that his lip sync with the man I was talking to was near perfect. Wait a minute …

“Do you happen to sit in a funky MG?” I asked Bob.
“Yes!” he said with a friendly British voice.
“I am on my way to you now!” I said.

A split second I thought – am I actually going to step into a car with a man I don’t really know? Bob seemed reliable, and a car like this with an open roof, I could always climb out. I jumped in. We drove off, the wind trying to blow the worries out of my head.

And that’s when I met Bob.

Here is your regular short film production update. And really, I can’t quite believe all this is happening either.

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INT. ART SCHOOL CLASSROOM – NIGHT

Art class

When I walked to the toilet yesterday I passed a woman at the shared washing up sink. She was cleaning brushes. Not just a few of them, loads of them. A closer look revealed that she had a small cart filled with glasses with brushes, and palettes filled with paint. I walked on.

But then my brain started working and it said to me:
Scene 25
INT. ART SCHOOL CLASSROOM – NIGHT

Oh! Wait a minute!

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