Betrayal – Donmar theatre, London – review

Yesterday I saw Harold Pinter‘s Betrayal in the Donmar. And even though I am getting more and more depressed about the fact that people in the books I read and the people in the plays I watch don’t seem to be able to not betray their partners (what’s going on in the world!) – I quite liked the play. The play was structured backwards, which meant that you more or less saw the last scene first and the first scene last. I liked the fact that it was a modern story to which I could relate, and the actors did well on the nearly naked stage.

The Donmar theatre, close to Covent Garden, is one of my favourite theatres in London. It is not fantasically huge, but they run an interesting program, and you get to sit very close to the stage, so you have a good view on what’s going on.

Roger Michell directed it, and if you read his personal quotes you know why you should like him. I know I do.

Anyone famous in Betrayal?
Well, Samuel West had a tiny role as Anna’s co-star in Notting Hill, and Toby Stephens played the baddie in James Bond – Die Another Day.

[rating:4/5]

Landscape with Weapon, National Theatre, London – review

First of all – I am incredibly pissed off about the fact that Bill Nighy isn’t even nominated for a Tony Award for his performance in The Vertical Hour. Extremely pissed off. I have no words for it really, if that wasn’t award worthy acting then I don’t understand a thing. Kevin Spacey (Moon for the misbegotten) wasn’t nominated either.

But despite all that misery, I had a ticket for a play tonight.

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Venus – a review (9.5/10)

Venus
Peter O’Toole, the man is 75, and for me this is the man deserving the Oscar for best Actor this year. It’s really delightful that “older” (what is “older” anyway) actors are doing so well at the moment. Judi Dench, Meryl Streep, Hellen Mirren, Bill Nighy, Hugh Laurie all are in the picture, and now there is Peter O’Toole in Venus.
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